The record still fits firmly into the neo-soul genre, but this time around the production is more modern overall. Several tracks include samples and hip-hop influenced beats, and there are even some subtle electronic touches here and there. The result is a little less organic than his previous effort, but the trade off is a wider array of sounds from track to track.
While some fans might be slightly disappointed in the record’s more contemporary style, it shows an admirable willingness to try new things and grow beyond the retro soul aesthetic, even if there are a few growing pains involved. One thing that hasn’t changed, though, is Frazer’s silky falsetto, which he manages to keep from feeling one-note through his strong songwriting chops.
If you like Frazer’s work with Durand Jones & The Indications then you’ll find plenty to like on Into the Blue. Fans of other neo-soul acts like Pale Jay, Bobby Oroza, and Lady Wray will also find it up their alley.
The album opens strong out of the gate with the catchy, mid-tempo “Thinking of You,” which nicely blends the modern production elements with some classic touches like strings and woodwinds. And while there are some high energy moments like “Payback” (which feels like an homage to OutKast’s “Hey Ya!”), it’s the slower moments that work best, like the layered vocals in “Fly Away,” the Spanish guest vocals from Cancamusa on “Dime,” or the dreamy, almost jazzy closing track “The Fool.”
Frazer has always favored love songs in one form or another, and Into the Blue is no exception to that trend. The lyrics are thoughtful and introspective, but might lean a little heavy on the repetition for some listeners’ tastes.
Simon Workman
For more of Simon Workman’s music reviews, check out The Fire Note
Other reviews you might enjoy:
- Private Space (Durand Jones & the Indications) – music review
- American Love Call (Durand Jones & The Indications) – music review
- Bewilderment (Pale Jay) – music review
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