Sweden is more than idyllic red cottages and affordable housing in flat packages. Today it is also a country with a big youth unemployment problem. It is so massive, in fact, that hundreds of thousands of young Swedes see no option other than to move across the border to Norway. They hope to find work serving food, sweeping litter off the pavements and cleaning toilets, if necessary. Underdog, the debut feature of writer and director Ronnie Sandahl, is a gritty, dour story of longing and power set against the backdrop of a new Scandinavian reality.
Underdog focuses upon the power balance between men and women, the two central players, employers and employees, and the middle-class and the working class, not to forget the juxtaposition of Sweden and Norway. I’m here to tell you the picture presented isn’t pretty. Hardly readily accessible, Underdog is a slow burn of a film, which takes a while to get into and appreciate. As that description would suggest, not everyone will.
Dino is hardly someone you would term readily likeable and yet she comes to control her own destiny in ways you wouldn’t have thought possible when she first staggers into frame. It turns out that she is far more competent than she at first appears to be. Just goes to show, you shouldn’t judge a book by its cover. She undoubtedly grows through her experiences. This is about her journey, warts and all. As far as her employer cum lover is concerned, the big man, the strong man becomes the subjugated, the weak.
Playing as part of the Scandanian Film Festival, Underdog scores a 6½ to 7 out of 10.
Director: Ronnie Sandahl
Cast: Bianca Kronlöf, Mona Kristiansen and Henrik Rafaelsen
Rating: MA15+
Alex First
David Edwards is the editor of The Blurb and a contributor on film and television