John Sturges’ classic 1960 western The Magnificent Seven made stars out of Steve McQueen, Charles Bronson and James Coburn (who all later appeared in Struges’ epic WWII adventure The Great Escape in 1963). Sturges’ film was inspired by Akira Kurosawa’s classic 1954 film The Seven Samurai, regarded by some critics as the greatest action movie ever made. Kurosawa was inspired by the Hollywood westerns of the 50s, and, ironically, his film influenced many westerns that followed including the spaghetti westerns of the late great Sergio Leone. The 1960 film was a huge success and spawned a couple of sequels and even a short lived television series. And now we get this remake from director Antoine Fuqua (Training Day) who knows his Western tropes and has in turn borrowed heavily from some the great directors of the genre, from John Ford through to Eastwood, Peckinpah and Leone.
This time around the seven he assembles are a much more racially diverse bunch. Apart from Chisholm himself there is Faraday (Chris Pratt, from Guardians Of The Galaxy), a wise-racking card sharp and gunslinger; the boozy Goodnight Robicheaux (Ethan Hawke), a sharpshooter who is still damaged by his experiences of fighting in the Civil War; his knife wielding offsider Billy Rocks (Korean action star Byung-hun Lee); the hulking John Horne (Vincent D’Onofrio, from Full Metal Jacket), a renowned and feared Indian hunter; the Texican gunman Vasquez (Mexican actor Manuel Garcia-Rulfo); and the comanche warrior Red Harvest (Martin Sensmeier), who has been cast out of his tribe. This motley crew have just seven days to train the frightened townsfolk in the skills necessary to fight back against Bogue and to defend their village.
The build up to the key siege of the town is a little slow. There are several scenes of the men sitting around in a saloon and drinking and talking, and these scenes slowly tease out character details and backstories, and show the slow camaraderie that develops between them before all hell breaks loose. There is fair amount of humour here to leaven the violence.
Unlike many recent remakes that have tarnished the memories of the original film (think Ben Hur, etc), this new take on the classic The Magnificent Seven is quite good. It exploits the tropes of a traditional western in its formula. Many of the classic westerns of yesteryear explored the myth of one good man standing up to evil on the wild frontier and dispensing justice. But writers Richard Wenk (The Equalizer) and Nic Pizzolatto (True Detective) also effectively use the formula to explore some more contemporary themes of corporate greed, courage, loyalty, heroism, sacrifice, and even a hint of feminism that will resonate strongly with modern audiences.
As he showed with White House Down, Fuqua knows how to stage some exciting and spectacularly visceral action sequences. There is an early gunfight in the dusty streets of Rose Creek that is tense and well-staged, and it sets the scene for the climactic attack on the town. This rousing 30 minutes action sequence is the highlight here, a gritty and violent and superbly choreographed set piece full of gun play, carnage and pyrotechnics that doesn’t disappoint. In the original, the villainous Calveros brought just thirty bandits to attack the village; here Bogue brings a veritable army of a hundred men, plus a deadly gatling gun, to the fray. This version of The Magnificent Seven has the highest body count of any Western since The Wild Bunch.
The film looks good thanks to the widescreen cinematography of Mauro Fiore that captures the harsh, epic landscapes. The film also features the last soundtrack composed by the late James Horner, and the music also pays homage to Elmer Bernstein’s memorable theme music for the 1960 original.
Performances are a bit of a mixed bag. This is Washington’s third collaboration with Fuqua (following his Oscar winning turn while cast against type in Training Day and The Equalizer) and the director seems to be able to tap into the meaner side of an actor known for playing essentially decent characters with strong moral fibre. Pratt brings a jocular and easy going charisma to his role and he provides most of the comic relief. Sarsgaard comes across as the cliched bad guy with no redeeming features whatsoever, and he does all but twirl his moustache with a cliched performance as Bogue, who is filled with contempt for the poor struggling and hardworking farmers. Hawke brings some pathos and nuances to his performance as the former soldier wrestling with a form of psychological disorder following his experiences, and he is the most complex character here. Bennett’s performance as the feisty Emma reminded me a little of Hailee Steinfeld in the recent remake of True Grit.
As a genre, the Western has been dead for many years despite some attempts to bring it back to life on the big screen with films like Tarantino’s superb and violent Django Unchained, The Hateful Eight, and the visually stunning The Revenant. This re-imagining of the classic The Magnificent Seven is a solid Western, full of action, gunplay, and featuring a strong ensemble cast that should appeal to audiences.
Director: Antoine Fuqua
Cast: Chris Pratt, Denzel Washington, Ethan Hawke, Matt Bomer, Vincent D’Onofrio, Haley Bennett, Peter Sarsgaard
Release Date: 29 September 2016
Rating: M
Greg King
David Edwards is the editor of The Blurb and a contributor on film and television