The House on the Lake is a 90 minute, one act play. A psychological thriller, where David (Huw Higginson) seemingly suffering from anterograde amnesia, is coaxed back to health through a series of interviews by a forensic psychologist, Alice (Jeanette Cronin). What is gradually remembered, connected, produces a result that neither of the participants anticipate. This is an old fashioned structure and familiar experience (the 2000 film, by Christopher Nolan, Memento, comes to mind), but still makes for a very engrossing and absorbing night in the theatre. It does not have the melodramatic bangs and surprises, or tongue-in-cheek comedy of the recent production of Deathtrap, but does have intriguing, twisting labyrinthine plotting that demands attention and intellectual engagement. Time in the theatre passes quickly, enthrallingly.
Director, Kim Hardwick produces an ‘elegantly’ styled production with great confidence and an invisible control – no trendy director’s tricks (fingerprints) here, just clarity to the kind of play she is in charge of and an artist’s modesty in controlling its unfolding – remember her production of Bang – why do we not see her at work more often in Sydney? I ask, merely, for information. Lighting by Martin Kinnane and design by Stephen Curtis are simple background for the events of the play, enhanced with a beautiful composition of music and sound design by Kelly Ryall.
Company: Griffin Theatre Company
Venue: SBW Stables Theatre, Kings Cross, Sydney
Dates: 15 May – 20 June 2015
Kevin Jackson
For more of Kevin Jackson’s theatre reviews, check out his blog at Kevin Jackson’s Theatre Diary
David Edwards is the editor of The Blurb and a contributor on film and television