This is a dark and erotic fairy tale with a dominatrix queen and an innocent but feisty teen Snow White who is experiencing her first glimpses of sexual awareness. It is a heady mix that kept me engrossed for the close to two hours of non-stop dance.
The plot follows the fairy tale closely. Queen is the mirror’s favourite; Snow White then gets the nod, The Queen sends woodsmen to kill her. They don’t. Snow White lives with the dwarves until the Queen kills her with an apple. The Prince arrives and kisses her, she comes back to life, and they all live happily ever after – except for the queen of course.
Cecilia Torres Morillo made an impressive entrance in the dominatrix outfit – leather corset, thigh boots, and bare flesh that we have seen splashed over posters and on TV commercials. She was a marvelous villain as her choreography gave her power and sexual energy enough to make grown men fall over, as they did on stage. Her pair of acolyte cats added to her witch-like persona. The energy level was high from the company, and the seven dwarfs, shimmying up and down the roof high rock face were audience favourites, yet they were not Disney clowns – and certainly very curious about Snow White.
Now she was the glory of this special show for me. Emilie Lalande danced the inquisitive and free-spirited teenage girl dressed in a skimpy toga-like costume that managed to be sexy and innocent at the same time. Her dancing was superb and when she was partnered by Redi Shtylia as the Prince, it was awe-inspiring. Her flirtatious first meeting with the Prince was precocious and provocative and artlessly sexy enough to let the Queen know she had some competition. The dance showed Snow White’s innocence and self assurance as she failed to see the Queen as an adversary until it was too late. When the huntsmen, a trio of camouflage-dressed military men, set her free, she flitted wraith-like in and out of the tree heartbreakingly bewildered. Then a jittery deer was felled and its heart cut out for the queen.
Good triumphed over evil and the Queen, with a frantic dance got her just deserts at the hands of the men she had tormented. It was a stunning end to a stunning production. It is a show from which the images stay around for a long time.
Company: Ballet Preljocaj, QPAC and Brisbane Festival
Venue: Lyric Theatre, QPAC, Brisbane
Dates: 2 – 11 September 2011
Bookings www.qpac.com.au or phone 136 246
Eric Scott
For more of Eric Scott’s writings on theatre, check out Absolute Theatre
David Edwards is the editor of The Blurb and a contributor on film and television