There is a semi-autobiographical element to Sing Street, the fantastic, charming and slightly quirky Irish coming of age story from John Carney (Once, Begin Again). Set in Dublin in 1985 the film looks at adolescent angst, the pangs of first love, dysfunctional families, the Catholic education system, bullying, the power of love and the power of music.
The film follows 15-year old Conor (played by newcomer Ferdia Walsh-Peelo), who is forced the leave his posh boy’s school in Dublin to attend the local Christian Brothers school when his parents fall on hard times and seem to be on the brink of getting a divorce. There he is bullied on a daily basis and has to also deal with the harsh and strict headmaster (Don Wycherley) who disapporves of the colour of his shoes.
To escape from his problems, Conor forms a band with the help of his new best friend Darren (Ben Carlon). He also tries to impress local girl Raphina (Lucy Boynton, from Miss Potter), and aspiring model who lives in the group home across the road from the school. One of the boys in the band (played by Mark McKenna) resembles a younger John Lennon, and plays a variety of instruments. Conor receives advice on both music and girls from his older stoner brother Brendan (Jack Reynor, from Transformers: Age Of Extinction) who has an extensive collection of records on vinyl. Brendan suggests that rather than doing covers, Conor writes original material for the band. A nice running joke throughout the film has Conor and the band change their image every time they create a new song.
Sing Street is a wonderful feel good film that celebrates life and youth and young love. The ending itself is also perfect and somewhat sweet and optimistic.
The film is steeped in a sense of nostalgia, and Carney evokes the mid 80s and life in Dublin. Music has always been a key element in Carney’s films and Sing Street is no different. Music is at the heart of the film and informs the story. This is the second film in a month that has a soundtrack to die for – the other was Richard Linklater’s Everybody Wants Some. The soundtrack here is shaped by British pop sounds of the 80s, particularly the new wave and romantic period, and features the likes of Duran Duran, Spandau Ballet, The Cure and The Jam. There are also some great original songs written by Carney himself, with the stand outs being The Riddle of the Model, which channels Duran Duran, and the rocking Drive It Like You Stole It. And there is also a great fantasy sequence in which Conor imagines the band playing at the school’s prom.
There are some wonderful unaffected performances from the youthful cast that add to the authenticity of the material and this world. In particular Walsh-Peelo is a great find; he has plenty of charisma, and his performance captures that sense of youthful optimism, energy and enthusiasm. And he does his own singing too! Reynor delivers a solid performance as his older rebellious brother who dropped out of school and feels a mounting sense of frustration at his own failures. Conor’s parents are played by Game Of Thrones‘ Aiden Gillen and Maria Doyle Kennedy (from the classic The Commitments). While her presence may remind many of that wonderful film which also dealt with putting together a band, Carney has denied that he didn’t intend her casting to be a homage.
Anyone who loved Alan Parker’s The Commitments or Carney’s Once should put Sing Street at the top of their must see list!
Director: John Carney
Cast: Ferdia Walsh-Peelo, Aidan Gillen, Maria Doyle Kennedy
Release Date: 14 July 2016
Rating: M – Coarse language
Greg King
David Edwards is the editor of The Blurb and a contributor on film and television