Gustave Flaubert’s 1865 brooding and bittersweet tragedy about a 19th century self destructive woman and her tragic fall from grace has been filmed many times. There was even a recent contemporary take on the character with the recent French film Gemma Bovary. And Woody Allen used Flaubert’s famous character as the template for his Blue Jasmine, which featured an Oscar winning performance from Cate Blanchett. This latest version from Sophie Barthes (Cold Souls) is a visually sumptuous film but emotionally cold and dry.
Barthes brings a strong feminist quality to the familiar material, and handles the story in rather unsympathetic fashion, which is perfectly suited to the tone of Flaubert’s novel. She has also contracted the dense novel to make it a much pacier tale here, jettisoning many characters and subplots. Barthes also uses the films to explore issues of class and the place of women in the 19th century. But her direction is also rather prosaic, resulting in a film that is ultimately rather dull and lacks the requisite passion.
Having previously played a similarly doomed and miserable literary heroine in Jane Eyre, Wasikowska is a great fit for Flaubert’s flawed and emotionally fragile Madame Bovary. She brings strength and a suitably enigmatic quality to her performance. Paul Giamatti brings his usual sleazy charm to his role as Homais, the obsequious chemist, while both Miller and Logan-Green are fairly bland as Emma’s younger suitors. Ifans is a standout as the sleazy merchant.
The film looks exquisite though with superb costumes, and some gorgeous cinematography from Andrij Parekh, who uses handheld camera and natural lighting to good effect. He also uses closeup to capture Emma’s feelings of being closed in and confined by the strictures of both the times and her small town setting.
Madame Bovary is available on DVD, Blu-ray and on-demand from 26 November 2015.
Greg King
David Edwards is the editor of The Blurb and a contributor on film and television