Every now and then I watch a movie and afterwards I can’t decide whether it’s good or bad. iBoy is such a movie. I thought the initial idea was fascinating. The fact that Tom (Bill Milner – Broken), got a bullet through his head, while fleeing from robbers, and his iPhone (which he was using while contacting the police ) was shot into smithereens and fragments ended up in his brain, was in itself a original starting point. The result afterwards is that, thanks to the advanced technology of iPhone, he’s able to make mental contact with communication networks and information technology stuff. Isn’t that breeding ground for an entertaining movie? But the moment he demonstrates how he controls a Volkswagen Golf remotely and uses the built-in radio to speak to the passengers, it was a bridge too far. As he takes control over any electronic device, it started to feel a bit absurd.
iBoy is a mixture of different genres. Besides the superhero theme, there’s also a social tinged drama about less well-off citizens with youngsters choosing to follow the criminal path. The overall picture includes some intimidating loiterers who spend their free time with committing small crimes. Their habitat is also in stark contrast with the magnificent buildings opposite their drab apartment buildings which rise like minarets between the futuristic looking luxury apartments where the yuppies of London live. And finally there is a romantic part with Tom and Lucy growing close to each other because of the incident. These three sub-genres were intelligently intertwined.
Initially, I expected some sort of teen SF (something like Project Almanac) after reading its contents. And certainly the choice of a childish superhero name, paved the way for that thought. So, with some skepticism I started watching this movie. But as the story progressed, my suspicion vanished and I could only conclude that the end result was ultimately successful. And not only because of the stunning images of this metropolis and its nightly illuminations. Also the performances captivated me. Bill Milner really looked like a nerd and was sometimes too timid, but he excels in this role. Rory Kinnear’s contribution is rather limited, but in those few minutes he came across as a cold-blooded and determined criminal you shouldn’t underestimate. But especially Maisie Williams steals the show as the vulnerable and traumatized Lucy. What a beautiful performance. I only hope, no one will come up with the idea to make a film adaptation of someone whose PS4 exploded besides him. Or God forbid, an e-cig detonated in someone’s pocket. I can already imagine how this movie would look like.
iBoy is available via Nextflix in Australia.
Peter Pluymers
For more of Peter Pluymers’ movie reviews, check out My Opinion as a Movie-Freak
David Edwards is the editor of The Blurb and a contributor on film and television