Fawlty Towers is cult comedy. It began life as a two season BBC TV production back in the 1970s. There were just 12 shows, but they have lived on, gaining new generations of fans. But would the morphing of old TV show scripts into a two-act live stage comedy work? Absolutely.
The dialogue of course is brilliantly funny and had the audience in constant fits of chuckles and belly laughs. There was also a lot of pre-emptive laughter as favourite moments approached. I confess to being a Fawlty Towers fan and can remember practically all of the shows; even so I laughed myself silly much of the time, sometimes at the memory sometimes because of a fresh approach and perfect timing of the actors involved. It was a huge production with cast of 15 and had a magnificent set, designed by Liz Ascroft, that must have eaten up money but added so much to the show. The costumes and wigs too were character matched to perfection.
The script we know is funny, but it needs characters to give substance to the words and they were created perfectly by the Australian cast. Blazey Best gave us Sybil instantly with her throaty laugh and sarcastically pitched voice. Aimee Horne gave us a soft centred Polly and Syd Brisbane was a very well-played Manuel. Stephen Hall was Basil. I thought he “played” Basil early in Act One but he became Basil in Act 2 when he was superb, his silences spoke volumes and had the audience in stiches as did his magical body language. It was a masterful performance. It was most evident during the “don’t mention the war” sequences, where he dealt with his guest while suffering from concussion after the moose had fell on him. This one had me laughing so hard it hurt, so did his dealings with Mrs Richards the deaf lady who lost £85 during the so funny story about Basil’s illicit horse race gambling. Deborah Kennedy was perfect in a role I remember so well from the original.
There is no doubt this is a classy production and whether you are a fan or not so long as you appreciate brilliant farce then you will enjoy this one.
Producer: Michael Coppel and Phil McIntyre with Louise Withers
Venue: Playhouse Theatre, QPAC, Brisbane
Dates: 28 December 2016 to 22 January 2017
Bookings: www.qpac.com.au or 136 246
Eric Scott
For more of Eric Scott’s writings on theatre, check out Absolute Theatre
David Edwards is the editor of The Blurb and a contributor on film and television