Among my favourite TV shows growing up were the household staple of comedies: Get Smart (1965-70), I Dream of Jeannie (1965-70), Hogan’s Heroes (1965-71) – and Gilligan’s Island (1964-67). So with a great sense of excitement, I ventured into Chapel off Chapel to see my childhood memories revived in Gilligan’s Island: The Musical.
I felt wary about seeing actors other than the originals filling the pivotal seven roles. And, of course, I wondered whether the passage of time had rendered the smart one-liners lame and tired.
Mind you it still took me the best part of 15 minutes to settle into the production because I was acutely aware of the deliberate exaggeration involved in some of the roles. Fortunately after that I really enjoyed what I was witnessing. I had fun with the silliness and mayhem on stage.
For those not in the know, the plot concerns seven people who set out on a three-hour charter in a tiny ship, the SS Minnow. They run ashore on an uncharted desert island following a torrential storm.
Some of the musical numbers written especially for this show are terrific – clever and melodic and well executed.
Two voices in the cast particularly took my fancy – Riley Nottingham (The Full Monty) as Gilligan and Molly Fisher (Titanic, The Musical) as Mary Ann. Sam Marzden (Chicago) can turn it on as the Skipper; and Kaya Byrne (The Wind in the Willows), as the Professor, also has a memorable number in the second act.
Alexia Brinsley (High Fidelity) as Ginger took longer to win me over. I initially felt the pout and excess were too severe, but then the real humour in the role started to take over. By midway through the first act I thought she, too, was onto a good thing.
Writers Hope and Laurence Juber (a guitarist for Paul McCartney and Wings) pulled together content from the three years of the sitcom to craft a suitable storyline with a natural thread. Gilligan’s Island: The Musical was first staged in the US in 1992. This Australian version features a modernised score.
The Howells (Joshua Monaghan and Lauren Jimmieson) remain filthy rich and abhorrent at the prospect of manual labour. The Professor’s expertise in all things seemingly knows no bounds; while simpleton Gilligan continues to have a love-hate relationship with the Skipper. Ginger takes every opportunity to sprout lines of dialogue from screenplays in her breathless style, and Mary Ann has a charming way about her.
An eighth member of the cast, a mysterious visitor, makes an appearance. But I am not a party-pooper so I will leave that as a surprise.
Adam (Gus) Powers designed a minimalist, but appropriate, jungle set and props. The show also features a five piece band. James Cutler directs, with musical direction from Xavier McGettigan. Kai Mann-Robertson is the choreographer.
I walked away with a smile on my face, having largely enjoyed the slapstick comedy after a bit of a rocky start. Gilligan’s Island: The Musical is playing at Chapel off Chapel until 4 March 2018.
Alex First
Other reviews you might enjoy:
- Falsettos (Chapel off Chapel) – theatre review
- Rent (Chapel off Chapel) – theatre review
- More than a Game: The Unauthorised Footy Show Musical (Chapel Off Chapel) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television