Just in time for the school holidays, Cinderella has arrived, beautifully presented by Queensland Ballet as part of their My First Ballet series. A charming, all-ages adaptation by Matthew Lawrence, Cinderella was first performed in Brisbane in 2013 and has been adapted with permission by Ben Stevenson OBE.
As one of the world’s most beloved fairy tales, Cinderella was the perfect choice for an introduction to ballet and will appeal to the young and the young at heart. This version was a neat sixty minutes, with a beautifully recorded score by Sergei Prokofiev.
Photos: David KellyActing as narrator and guide, the Fairy Godmother introduced the story and recurred at pertinent points to ensure little ones understood what was happening. As the voice of the Fairy Godmother, Sarah McIntosh’s recorded vocals were fairy tale perfect and helped set the magical mood.
Every aspect of Cinderella was magnificent and the Talbot Theatre provided the perfect setting. The stage felt enormous and the 350+ seat auditorium included optimal sightlines from every seat. Thomas Boyd’s set design was simple yet evocative and included a smouldering fireplace, an enchanted mirror, and pieces on wheels that could be quickly whisked on and off stage. Craig Wilkinson’s video designs were displayed on a giant back screen and helped transport the audience to a faraway land. Animated projections also helped move the story along, including a pumpkin coach and a clock that moved towards midnight.
Rounding out the creative magic was lighting by Cameron Goerg which included intermittent dappled floor lighting, and costumes by Tracey Grant Lord with plenty of shimmer and sparkle.
Most of the cast were QB’s Jette Parker Young Artists, with select Company Artists and one Pre-Professional Program Dancer. The narration ensured that the artists could focus on the dancing, and it did not disappoint. The future of the company is in good hands with this group of fantastic young dancers.
At the matinee I attended, Cinderella was performed by Alyssa Park. Together with Joseph Moss as Prince, their pas de deux at the ball was exquisite. Park perfectly encapsulated Cinderella’s quiet inner strength and kind, honest heart, while Moss contained strength and warmth as he searched for genuine love.
The trio of Ballroom Ladies, performed by Gina Lee, Corina Poh and Ashlee Basford helped punctuate the ball’s grandeur with their Ballroom Gents, featuring Jack Jones, Sean Ferenczi and Eli Southurst. Their partner work and lifts were particularly excellent, and they moved in time as an impressive ensemble.
Providing all the comedy were the Ugly Sisters, played by Taron Geyl and Joshua Douglas. Casting two male dancers was a stroke of genius, and it was a hoot to watch the pair work the stage using elements of clowning and pantomime. With superb physical embodiment, they encapsulated two very ungraceful and uncoordinated sisters, commendably performing the whole time in heels!
One important thing to mention: be sure to grab one of the programs on the way in, as there is an interactive mid-show surprise involving the Prince and his Cavaliers.
The stunning Thomas Dixon Centre includes a costume workshop where windows offer a sneak peek into the world of costume production. One can also view a gorgeous costume exhibit as you make your way through the centre.
It’s worthwhile looking into the add-on options on offer with certain performances. They include the Cinderella Children’s Workshop with QB Teaching Artists, (for ages 2-12), and the Cinderella’s Fairy Tea Party. Located on the mezzanine level, the tea party includes a special, pre-show treat, with options for both adults and children.
It would be a mistake to think that Cinderella is just for the very young. This tasteful and gorgeous adaptation truly captures the magic and power of storytelling. With something for everyone, Cinderella is a must-see inclusion in the 2024 Queensland Ballet season.
Cinderella is on at the Talbot Theatre, Thomas Dixon Centre until 29 June 2024.
Sarah Skubala
Other reviews you might enjoy:
- A Midsummer Night’s Dream (Qld Ballet) – dance review
- Coppélia (Qld Ballet) – dance review
- Carmen & The Firebird (Qld Ballet) – theatre review
Sarah Skubala is a freelance writer and has lived in Highgate Hill for several years. Originally from Adelaide, Sarah has a background in library work and musical publicity. She co-executive produced the award winning short film Down To Earth and has written a comedy short screenplay. She is currently working on a web series and a novella. Sarah is a fixture in West End and can be found wherever there is good coffee and cheap books.