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Don’t Go (Chapel Off Chapel) – dance review

Relationship often start with sizzle and succumb to pressure and misalignment between parties. Lion Heart Dance Company has cleverly captured that with movement and song. Don’t Go is characterised by star turns from principals Jemma Craig and Andrew J Liu. They are dynamic leads. As the saying goes, the “lovers” are “all over each other” at…

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Joseph and the Amazing Technicolor Dreamcoat (Capitol) – theatre review

Very few stage productions can boast superlatives like Joseph and the Amazing Technicolor Dreamcoat (‘Joseph’), now on at Sydney’s Capitol Theatre. From start to finish, this production is magnificent musically, colourful in its presentation, engaging in its staging and outstanding in its efficaciousness. First presented by Andrew-Lloyd Webber and Tim Rice in 1968, Joseph loosely follows…

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Cruel Intentions: The 90’s Musical (Athenaeum Theatre)

Cruel Intentions: The 90’s Musical sizzles, with powerhouse performances and a rousing score. There’s palpable excitement and anticipation in the theatre even before the metaphorical curtain rises. Once it does, Cruel Intentions is energetic and electrifying, oozing with sensuality and sexuality. It is slick, moving along at pace and milking the copious double entendres and physical interaction that…

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Prima Facie (MTC) – theatre review

Tessa Ensler (Sheridan Harbridge) is a successful barrister. She knows the tricks of the trade and defends her clients – many alleged sexual offenders – vehemently. She relishes the game … circling witnesses until she is ready to pounce, having lulled them into a false sense of security. She is good … very good. Those who know her,…

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Coming Out (Chapel Off Chapel) – theatre review

Showmanship, humour, pathos, anger, overt messaging and song are part of this well-meaning but noticeably stretched offering. At its core is a gay man, Cole (Stephen Loftus), now comfortable in his own skin, although it wasn’t always that way. He talks about his school years and coming out to his parents. And then, after Cole references a mentor…

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