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Lamb – movie review

Following Nordic tradition, Lamb is a mystery that becomes more and more compelling the longer it goes. It’s a slow-moving, supernatural drama that only comes into its own after an incident more than a quarter of an hour in. Maria (Noomi Rapace) and Ingvar (Hilmir Snaer Gudnason) are a hardworking, childless farming couple in remote,…

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A Fire Inside – movie review

As we approach another hot, dry summer here in Australia, this inspiring documentary is both timely and relevant. A Fire Inside was filmed largely during the bushfires that devastated much of Australia’ east coast in the so-called “Black Summer” of 2019-20, the worst fire season ever recorded. An area the size of the UK was…

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Skies of Lebanon – movie review

A love story against a backdrop of civil war, Skies of Lebanon has a decided artistic and poetic bent. It is the 1950s and despite not speaking a word of Arabic, Alice (Alba Rohrwacher) leaves her straitlaced existence in Switzerland for a nannying job in Beirut. In a café she meets and falls for a…

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Disclosure – movie review

Not to be confused with Barry Levinson’s 1994 erotic thriller of the same name, the provocative and intimate drama Disclosure looks at the darker side of suburban life in contemporary Australia. Two sets of parents gather together to discuss an incident involving their children, but things turn ugly as the impromptu meeting progresses. Natasha Bowman,…

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Persian Lessons – movie review

Inspired by real events, Persian Lessons is the story of one man’s heart-wrenching struggle to survive the Holocaust. Gilles (Nahuel Perez Biscayart) is a Belgian Jew, captured in France in 1942 while trying to make his way to Switzerland. He’s is bundled into the back of a truck along with many others. They expect to…

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Diana’s Wedding – movie review

The Norwegian comedy Diana’s Wedding really puts family values to the test. This small film offers some hard truths, wrapped in that peculiarly Scandinavian sense of humour. Director Charlotte Blom doubles as the screenwriter. She brings a sharply observational style to what is essentially a kitchen-sink dramedy, but doesn’t seek to inject any great flair…

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