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Eo – movie review

A donkey embarks on an existential journey and witnesses the best and worst of humanity in the latest quirky film from revered Polish director Jerzy Skolimowski (Essential Killing). Both visually and thematically it is an ugly film. A mob of soccer hooligans almost beat Eo to death mistaking it for the mascot for the opposition…

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The Innocent – movie review

Winner of the Best Screenplay at the Cesar Awards (the French Oscars), The Innocent is a comedic crime caper mixed with romance. Sylvie Lefranc (Anouk Grinberg) is a 60-year-old prison drama teacher that can’t help herself.  She has a habit of falling head over heels in love with and then marrying the inmates, which inevitably…

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Allelujah – movie review

In director by Richard Eyre’s Allelujah, the Bethlehem is a small geriatric hospital in Yorkshire and its various wards are named after celebrities who have donated money. But the hospital is now being threatened with closure due to budget cuts by the Minister of Health as the politician wants to focus the health system on…

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Mafia Mamma – movie review

I don’t quite know what to make of Mafia Mamma. This is the new film from Catherine Hardwicke (Twilight) and features both Australia’s own Toni Collette (who also serves as a producer on the project) and Monica Bellucci. It’s from an original short story by prolific French writer Amanda Sthers, and was adapted by J….

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AIR – movie review

Basketball is huge in America; and Air Jordan shoes are now synonymous with it. Of course, that wasn’t always the case. Director and actor Ben Affleck’s (Argo) new film AIR tells the story of how the greatest basketball player of all time, the shoe and the Nike company came together. So this is one of…

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Linoleum – movie review

The quirky dramedy Linoleum concerns a decent man of science who always wanted to be an astronaut. That man is Cameron Edwin (Jim Gaffigan). He hosts a local, late-night children’s TV science show, called “Above & Beyond”. One day a very strange thing happens – a red sports car crashes right in front of him,…

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Broker – movie review

Hirokazu Kore-eda is one of Japan’s greatest living filmmakers. You could mount a case he’s the greatest living Japanese filmmaker if you exclude animation (and thus, Hayao Miyazaki). In 2013, he took home the Special Jury Prize from the same event for Like Father, Like Son. In 2018, he won the Palme d’Or at Cannes…

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