A time of change, discovery and shock. That is what confronts Abbie (Ayesha Harris-Westman), a high school student who meets her bff in the most unlikely place. Abbie is in the bathroom at school when she has her first period and doesn’t have the necessary female hygiene product with her to deal with the situation in which she finds herself. She has to improvise … and that doesn’t go well.
Shortly thereafter, her soon to be best friend, simply known as PB (Lucy Rossen), has a similar experience, but is far more relaxed about it. It is a pointer to their respective personalities – Abbie, the main player, more introspective, but a budding feminist and activist, and PB, gregarious. Both are charismatic and intelligent.
The pair bonds and next thing we see is the two of them frequently hanging out together as PB, in particular, counts down the days of school left in Year 12. She is determined not to graduate a virgin. Indeed, boys, sex and looks are, not surprisingly, important components of their conversation.
It has been well crafted by playwright Madelaine Nunn. Above all, the coming-of-age story rings true and doesn’t appear sugar coated. Abbie’s mindset is clearly affected by what happens to her and, try as she does, PB doesn’t have a magic wand to wave away Abbie’s obvious torment, which is reflected in a vivid repeated vision in the play. It is an effective device.
Harris-Westman’s is, arguably, the more complicated role as her character’s mood shifts. Her integrity in inhabiting the role is never in question. Rossen channels PB’s joie de vivre with alacrity and conviction. She also plays other characters, including Abbie’s mother and a doctor. They do so against a minimalist set design, consisting of a series of 14 synthetic grass boxes of varying heights, so there is no hiding.
I saw a preview performance.
Alex First
Other reviews you might enjoy:
- Variations or Exit Music (La Mama) – theatre review
- Meet Me at Dawn (Arts Centre Melbourne) – theatre review
- Corpus Delicti! (La Mama Courthouse) – theatre review
Alex First is a Melbourne based journalist and communications specialist. He contributes to The Blurb on film and theatre.