Swedish folk singer/songwriter and guitarist, José González brings his unique finger picking approach and take on world music to his fourth studio album on Local Valley, drawing on influences from Latin America and Africa. His fluid, often groovy approach to folk is enhanced by his six nylon stringed Spanish “classical” guitars, creating a pastoral instrumentals…
Indie folk/rock quartet The Ophelias return with a third studio album, Crocus. While the four members came together after playing the role of the “token girl” in a male band, their collaboration grew from their combined creativity marked by the unique voice of guitarist and singer/songwriter Spencer Peppet and the violin of Andrea Gutman Fuentes….
It won’t take you long into High Pony’s excellent third LP, All We Did Was Dream, to realize how much you miss some straightforward indie rock. The Brooklyn band is a testament to taking a step back and finding your true sound. After over 70 shows, a tour, and numerous line up changes, High Pony…
Hey What is the 13th studio album from Low, the curious noise band that juxtaposes challenging instrumentals against the sweet and often harmonious vocals of the married duo, Alan Sparhawk and Mimi Parker. Like much of the contemporary compositions made in “serious music” circles (think modern takes on classical), Low can sound discordant, chaotic, noisy….
After 2015’s solid I Want To Grow Up we were fully prepared to see much more of Colleen Green’s guitar pop smarts and then she went quiet. After 6 years we finally have new material in Cool from Colleen Green that is full of mature guitar pop which is direct, lighthearted and will remind you…
With three jazzy piano albums under his belt in the last couple years, it’s no surprise by now that one of Phil Madeira’s musical heroes is jazz icon Thelonious Monk. That may be a surprise to anyone who’s only heard Madeira at his day job, playing backup to one of country music’s best-loved female vocalists…
For over twenty years, Tim Easton has been successfully combining elements of indie rock, folk and a little bit a blues to create his own genre that also consistently adds excellent songwriting and tons of heart to round out his musical ingredients. Easton is now on his tenth LP, You Don’t Really Know Me, and…
Sometimes records exist outside any conventional genres and challenge your ear around every corner. These albums also can produce some of the most intricate and addicting moments that you just really can’t capture with words. L’Rain’s sophomore record, Fatigue, is one of those albums. Brooklyn artist Taja Cheek, aka L’Rain looks all around her world…
Robert Finley is a classic late bloomer. As the title of his sophomore album for Dan Auerbach’s Easy Eye label suggests, he’s a “Sharecropper’s Son,” who grew up singing Gospel music in the church, playing guitar and acting as bandleader in an Army band while serving in the 70’s. A carpenter by trade, he was…
Durand Jones & The Indications are easily one of the first bands I would point to if someone wanted to hear some quality modern day retro soul. The five-piece have quickly risen to the top of my list since their 2016 self-titled debut and especially after their Headphone Approved sophomore album, American Love Call, in…
