The full programme for the 2024 ST. ALi Italian Film Festival has been announced, with this year’s event featuring a stunning selection of box office hits and award-winning films plus family fun and anniversary celebrations. Sydney will be the first to experience la dolce vita from September 18 with Brisbane, Canberra, Melbourne, Byron Bay, Ballina,…
Of all movie sub-genres, the music biopic seems particularly resistant to change. With perhaps a couple of exceptions, they all follow the same basic structure – humble beginnings, meteoric rise, success and inevitable decline (often with a dose of 12-step redemption). Midas Man – Joe Stephenson’s portrait of The Beatles’ manager Brian Epstein – is…
Among Alien fandom there’s a broad consensus that the canonical films are the first two: Ridley Scott’s Alien (1979) and James Cameron’s Aliens (1986). Fede Alvarez’s new instalment Alien: Romulus is perhaps ideally placed between the two. So it serves as a kind of sequel to Alien and a prequel to Aliens. For me at…
According to the reliable IMDb, The President’s Wife (released elsewhere as Bernadette) marks the 142nd screen appearance of the legendary Catherine Deneuve. Her career stretches back to the French New Wave of the 1960s, and includes some of the seminal films of Jacques Demy. She’s appeared in films by Roman Polanski, François Truffaut, Jean-Pierre Melville…
Deadpool & Wolverine isn’t so much a movie that breaks the fourth wall, as one where the fourth wall doesn’t even exist. Shawn Levy’s (Free Guy) meta-meta take on a superhero cross-over delivers ample fan service, and lifts the veil on how the Disney-Marvel empire will work in the future. Like several of the more…
The Moon landing is a cultural touchstone in the US, so much so that it’s the topic of several big-name movies including Hidden Figures and First Man. Almost as pervasive as the event itself is the myth that someone (in some tellings, Stanley Kubrick) shot the whole thing on a sound stage. Now the two…
Yorgos Lanthimos can be polarising. Even among his own fan-base, his films can be divisive. Recently, something of a split has emerged between fans of his “old stuff” (like Dogtooth and The Lobster) and those of his “new stuff” (The Favourite and Poor Things). I’m a bit on the fence here, because I’m certainly a…
The artistic links between France and Japan run (perhaps surprisingly) deep. The French Impressionists were obsessed with Japanese woodblock prints, for example. In the 1950s, while French filmmakers and audiences embraced Japanese cinema, with Akira Kurosawa’s Rashomon (1950) and Kinugasa Teinosuke’s Gate of Hell (1954) featured at the Cannes Film Festival; while Alain Resnais’ seminal…
For a while now, Glen Powell has largely traded on his (very) good looks. His recent cinema outing Anyone But You, proved a box office hit. But the actor spreads his wings somewhat as an undercover agent in Richard Linklater’s Hit Man. I say “somewhat” because he still can’t entirely escape his genetic gifts in…
A divertimento is a light piece of music, written just to amuse. But it’s a slightly incongruous title for Marie-Castille Mention-Schaar’s portrait of the conductor and composer Zahia Ziouani, because the film tackles some pretty heavy themes. To use a current term, this is an “origin story”; telling how a teenage Ziouani went from the…
