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Alex First

Alex First is the editor of The Blurb. Alex is a Melbourne based journalist and communications specialist. He also contributes to The Blurb on film and theatre.

King Otto – movie review

Christopher André Marks’ documentary King Otto tells the story of how rank underdogs became European champions thanks in significant part to an outsider. The outsider was Otto Rehhagel, a German coach who took the Greek National Football Team to glory at Euro 2004. Rehhagel was born in 1938 in Essen, where – as a five-year-old…

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Cruella – movie review

Wow! What a ripping good, most entertaining, magnificently realised origin story. Cruella is clever, funny and sassy – a family comedy turned sophisticated adult offering. English children’s novelist and playwright “Dodie” Smith is best known for the novel The Hundred and One Dalmations (1956), which became the big screen animation 101 Dalmations in 1961. Disney…

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A Quiet Place Part II

The wait has been worth it.  The outbreak of COIVD-19 significantly delayed the release of A Quiet Place Part II and it is now difficult to watch this film without drawing parallels to the world on a precipice. How I’ve missed quality Hollywood fare of this ilk. Tension characterises the movie, which picks up where…

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Statera (Gasworks) – circus review

Circus arts performed in a most unlikely setting. Statera puts the supermarket or grocery store front and centre. It is imaginative, clever, funny and upbeat. It enables four performers – Karina Schiller, Aleshanee Kelso, Dylan Singh and Tomas Correia – to showcase their considerable skills. Above all, balance is required, not to overlook dexterity and strength. Tumbles, jumps and acrobatics…

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Those Who Wish Me Dead – movie review

One for the adrenaline junkies, Those Who Wish Me Dead combines daredevil firies and ruthless assassins. The movie starts with a bang – literally and figuratively – setting up audience expectations. Two killers – Jack and Patrick Blackwell (Aidan Gillen and Nicholas Hoult) – posing as utility operators, deliver an unforgettable message to a district…

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Ernani (Opera Australia) – opera review

Honour is at stake in Verdi’s powerful opera Ernani, which features a surfeit of rich, rounded and redolent performances. The music is superb, rousing from the magnificent opening chorus number (with many more to follow), not to overlook a series of emotional arias. The first half, in particular, I found strikingly impactful. The action takes place…

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