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Alex First

Alex First is a Melbourne based journalist and communications specialist. He contributes to The Blurb on film and theatre.

The Witches – movie review

Slow to ignite, The Witches is an uneven adaptation of Roald Dahl’s novel of the same name. It’s 1967. Eight year-old Hero Boy (newcomer Jahzir Bruno) loses his parents in a car accident and goes to live with his Grandma (Octavia Spencer) in rural Alabama. Clearly hit hard by their passing, he says little and…

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Words on Bathroom Walls – movie review

Words on Bathroom Walls is an important movie. This mainstream dramatic teen romance normalises schizophrenia. While it’s often disturbing, it has an authenticity about it. That has much to do with the balance in the script by Nick Naveda – based on a novel of the same name by Julia Walton – and the calibre…

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School Life – movie review

How tough a job is teaching and disciplining a bunch of lively, but often disinterested and unmotivated students? The engaging French dramedy School Life (La Vie Scolaire) explores that question. A new vice-principal, Samia Zibra (Zita Hanrot), arrives at a school in economically disadvantaged Saint-Denis. She wants to do all she can to make a…

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Happiest Season – movie review

Christmas cheer is not all it’s cracked up to be for one “happy” couple in Clea DuVall’s holiday comedy Happiest Season. Abby (Kristen Stewart) and Harper (Mackenzie Davis) live together and are in love. It is the holiday season and during a night visiting suburban homes festooned with lights, Harper invites Abby to share the…

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Let Him Go – movie review

A haunting tale of desperation and regret, Let Him Go packs a punch. We’re in rural Montana in the early 1960s. George Blackledge (Kevin Costner) is a former lawman, but when it comes to “my way or the highway”. His wife Margaret (Diane Lane ) rules the roost. Once she gets an idea in her…

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The Comeback Trail – movie review

A spoof on mercenary Hollywood producers, The Comeback Trail delighted me. It features three of the biggest stars in the business. It’s Hollywood, 1974. Max Barber (Robert De Niro) is a producer whose lack of success in churning out D-grade dirges precedes him. Barber works in partnership with his nephew, Walter Creason (Zach Braff), although…

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