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Alex First

Alex First is the editor of The Blurb. Alex is a Melbourne based journalist and communications specialist. He also contributes to The Blurb on film and theatre.

The Exorcist: Believer – movie review

Fifty years ago, The Exorcist rewrote the rule book. It was the first horror film nominated for Best Picture at the Oscars. The loosely connected The Exorcist: Believer starts in colourful style in Haiti. Pregnant Sorenne Fielding (Tracey Graves) and her photographer husband Victor (Leslie Odom Jr.) are on holiday. Then, all hell breaks loose….

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The Creator – movie review

The sci-fi adventure The Creator questions whether artificial intelligence is the big bad bogey or not. A war is raging between humans and robots possessing artificial intelligence. But, at first, it’s not clear which side is wearing the black hats and which the white. Joshua (John David Washington) is an American special forces soldier operating…

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My Sister Jill (MTC) – theatre review

Their father was big and strong. He could be fun, but more often than not he was scary, angry, brutal and dogmatic. He couldn’t land a job and so money was always tight. He drank. After surviving WWII, which included being shipwrecked and a prisoner of war on the Thai-Burma Railway, he had PTSD. His wife,…

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Retribution – movie review

 There’s barely a moment’s let-up in the tense, action thriller Retribution. Matt Turner (Liam Neeson) has worked as a financier for Nanite Capital for 18 years under its CEO Anders Muller (Matthew Modine). Work drives Turner. He and his family live in luxury in Berlin and he drives a luxury car. He has little time…

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Swan Lake (The Australian Ballet) – touring

Stunning. That word best sums up The Australian Ballet’s reinvention of Anne Woolliams’ acclaimed 1977 production of the world’s most famous ballet, Swan Lake. The tragically beautiful story with instantly recognisable score remains an audience favourite and the centrepiece and shining light of many companies’ repertoire. Swan Lake is magnificent, majestic and mesmerising. Dancer, ballet mistress, teacher,…

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A Haunting in Venice – movie review

Turning Agatha Christie murder mysteries into popular cinema is proving quite lucrative. So it’s not surprising that for the third time Kenneth Branagh has teamed with writer Michael Green to adapt Christie’s late (1969) novel Hallowe’en Party for A Haunting in Venice. The unsettling supernatural thriller follows the success of Murder on the Orient Express…

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