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Alex First

Alex First is the editor of The Blurb. Alex is a Melbourne based journalist and communications specialist. He also contributes to The Blurb on film and theatre.

Away (Theatre Works) – theatre review

It is the summer of 1967 and the Vietnam War remains troubling. Young Australians are being drafted to serve. Back home, life continues. Tom (Rupert Bevan) and Meg (Cait Spiker) are in a high school production of Shakespeare’s A Midsummer Night’s Dream. Tom takes a fancy to Meg and engages her in awkward conversation. When their respective parents…

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Insidious: The Red Door

Director James Wan and writer Leigh Whannell began the Insidious franchise in 2010. The first Insidious featured Patrick Wilson as Josh Lambert, Rose Byrne as his wife Renai, Ty Simpkins as their son Dalton and Lin Shaye as the medium Elise Rainier. It concerned a family looking to prevent evil spirits from trapping their comatose…

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Joy Ride

Think of the hijinks in Crazy Rich Asians, Bridesmaids and The Hangover and you go some way to understanding why Joy Ride will be a fan favourite. There are laughs, silliness and good times aplenty. As five-year-olds, Audrey and Lolo meet by chance in 1998 at a New York park. Born in Asia, Audrey –…

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Shhhh (Red Stitch Theatre) – theatre review

Loneliness. Pain. Emotional connection. Desire. Sexual kinks. Consent. That is US writer Clare Barron’s Shhhh, which has its Australian premiere at Red Stitch Theatre. Bold, confronting and, on occasions, perplexing, it is a play that concerns itself with sexual assault, rape culture, mental and physical wellbeing, and the sisterhood. Playwright Shareen (Jessica Clarke), who suffers from a…

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The New Boy – movie review

An indigenous lad (Aswan Reid) reshapes the lives of those living at a remote monastery in 1940s Australia in Warwick Thornton’s The New Boy. The outback facility serves as a mission for Aboriginal children. It’s run by a feisty, renegade nun, Sister Eileen (Cate Blanchett). At the time only men could operate missions. But the…

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Just a Boy, Standing in Front of a Girl (fortyfivedownstairs) – theatre review

With five in the cast on a catwalk-like stage, this is a modern, generally slapstick and cartoonish interpretation of Euripides’ Greek tragedy Medea. In the historic work, Medea seeks revenge on her unfaithful husband. In Jane Miller’s Just a Boy, Standing in Front of a Girl, all the characters have received a contemporary makeover. Further, misogyny, fat shaming…

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