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New music round-up (for w/e 3 March 2023)

Our selection of the best new music across a range of genres from the week ending 3 March 2023. Metropolis…

Made in China 2.0 (Malthouse Theatre) – theatre review

I am faced with a predicament that I can’t say I have confronted too many times after a few decades…

Empire of Light – movie review

Set in the English coastal town of Margate during the turbulent early 1980s, Empire of Light is a sensitive romantic…

Don’t Go (Chapel Off Chapel) – dance review

Relationship often start with sizzle and succumb to pressure and misalignment between parties. Lion Heart Dance Company has cleverly captured…

Creed III – movie review

After retiring from the ring three years ago, Adonis Creed (Michael B. Jordan) lives to fight another day in Creed…

Magnolia (Okonski) – music review

Magnolia, the debut album from jazz trio Okonski, uses a simple formula: piano, bass, and drums. But simplicity can be…

Weasels in the Attic (Hiroko Oyamada) – book review

At 80 pages, Weasels in the Attic by Hiroko Oyamada (translated by David Boyd) is more a novella than a…

Lonesome – movie review

Lonesome is the sexually explicit sophomore feature from writer/director Craig Boreham, one of our finest exponents of queer cinema at…

New music round-up (for w/e 24 February 2023)

Our selection of the best new music across a range of genres from the week ending 24 February 2023. ARIA…

Joseph and the Amazing Technicolor Dreamcoat (Capitol) – theatre review

Very few stage productions can boast superlatives like Joseph and the Amazing Technicolor Dreamcoat ('Joseph'), now on at Sydney’s Capitol…