X

DARKFIELD’s INVISIBLE (Arts Centre Melbourne) – theatre review

Inspired by the 1933 film The Invisible Man starring Claude Rains and Gloria Stuart, and its 2020 reimagining, INVISIBLE is…

James Blunt: ‘Back to Bedlam’ 20th Anniversary Tour (Rod Laver Arena and touring) – concert review

A 110-minute set from James Blunt had the capacity crowd at Rod Laver Arena totally sold from the get go,…

Here You Come Again (Comedy Theatre and touring) – musical theatre review

I saw the feel good, comedic, part musical, part play, part concert Here You Come Again when it was first…

Dance X Week 2 (Arts Centre Melbourne) – dance review

The creativity and excellence in diverse forms of movement and the emotion it generated in Week 1 of Dance X…

The Lucky Country (Southbank Theatre) – musical theatre review

Author Donald Horne coined the expression “the lucky country” in his 1964 book titled “The Lucky Country: Australia in the…

Sincere Apologies (Trades Hall) – theatre review

There are apologies and then there are apologies. Some are genuinely heartfelt, while others are confected. In other words, the…

Manon (The Australian Ballet) at Regent Theatre – ballet review

What a glorious production of Sir Kenneth MacMillan’s choreographed Manon, which showcases all that is great about ballet. Featuring artists…

Flesh Vessel (Arts Centre Melbourne) – dance review

Companionship, care and fluidity of movement distinguish a compelling new work by choreographers and dancers Jayden Lewis Wall and Melissa…

Dance X (The Australian Ballet) at Arts Centre Melbourne – modern dance review

What distinguishes Dance X is creativity and excellence in diverse forms of movement and the emotion it generates. Make no…

Rebecca (MTC) – theatre review

Imagine falling in love with a man many years your senior whose wife passed a year earlier, then quickly marrying…