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The Singularity (Balsam Karam) – book review

Balsam Karam’s The Singularity (translated by Saskia Vogel) is a quietly devastating book about displacement and loss, and the tribulations…

Milked (fortyfivedownstairs) – theatre review

Mateship, isolation and mental health are on the line in the darkly comedic Milked. Paul Roberts (William McKenna) and Snowy (Laurence…

New music round-up (for w/e 1 March 2024)

Our selection of the best new music across a range of genres from the week ending 1 March 2024. Faye…

Yentl (Malthouse Theatre) – theatre review

We are in Poland in 1870. Yentl (Amy Hack) is driven by her desire to study … to learn and…

Win tickets to Wicked Little Letters

- Wicked Little Letters - Only in cinemas from 21 March 2024 We have 5 double in-season passes thanks to…

Ruthless! The Musical (Alex Theatre) – musical theatre review

Talent. Who has it and who doesn’t? It is a word readily bandied about, but it is fair to say…

Dune: Part Two – movie review

The second installment in Denis Villeneuve’s adaptation of Frank Herbert’s epic 1965 sci-fi novel picks up where Dune (2021) left…

A Trip To The Moon (Ghost Funk Orchestra) – music review

A Trip To The Moon is the fourth full-length album from Ghost Funk Orchestra, the brainchild of producer and multi-instrumentalist…

Dry Land (Theatre Works’ Explosives Factory) – theatre review

Dry Land has much to say about abortion, female friendships and being a teenager, but it takes a long time…

Gaslight (Queensland Theatre) – theatre review

With ‘gaslighting’ being the word of the year in 2022 and mentioned across social media and in real life countless…