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Dangerous Goods (Polytoxic) – theatre review

It’s a case of feathers meeting fluro when performers in Polytoxic’s new work, Dangerous Goods, initially ensemble in movement of…

New music round-up (for w/e 19 January 2024)

Our selection of the best new music across a range of genres from the week ending 19 January 2024. Madeline…

Sophia = (Wisdom): The Cliffs (New Theatre) – theatre review

For those who like the unconventional, Sophia = (Wisdom): The Cliffs is heaven-sent. Promoted as “Part dada, slapstick comedy, part…

Seventeen (MTC) – theatre review

Do you remember what your last day of school was like? You’d just finished your final exams and freedom was there…

Priscilla – movie review

It’s been a boom time for new films from some of cinema’s great stylists. In the past 12 months, we’ve…

All of Us Strangers – movie review

The sensitive fantasy-romance All of Us Strangers concerns two lost souls. Based on a novel by Taichi Yamada, the film…

The Giant’s Lawn (Wurld Series) – music review

Wurld Series hails from Christchurch, New Zealand, and The Giant’s Lawn is the group’s third LP. The history of that…

All The Rest (Theatre Works) – theatre review

It is an age-old question without a satisfying answer. What constitutes art? That is the starting point for a coming-of-age tale…

The Iron Claw – movie review

The Iron Claw, which is based on a true story, sees a loving family is torn apart by a father’s…

Prophet Song (Paul Lynch) – book review

Paul Lynch’s 2023 Booker Prize winner Prophet Song is a dark descent into a very possible future. Set in Ireland,…