The Haunting of Spook Mansion (By Ghosts), at Chapel Off Chapel – theatre review 11 months ago Do you believe in ghosts? Noted sceptic and author Professor Adrian Chambers (Peter Houghton) most certainly does not? The 62-year-old… I Love Your Faces: The Don Lane Story, at The Palms at Crown – theatre review 11 months ago The multitalented PJ Lane takes us on a most entertaining and thoroughly enjoyable walk down memory lane, as he pays… Carmen (Opera Australia), at Regent Theatre – opera review 11 months ago Passion, obsession, desperation, jealousy and rage make for a fiery combination in composer Georges Bizet’s Carmen, newly interpreted by director… Piano Man: Celebrating the Music of Billy Joel (MSO), at Hamer Hall – concert review 11 months ago What a special show: the Melbourne Symphony Orchestra at its glorious best and four popular and talented singers in fine… Whitefella Yella Tree (Griffin Theatre Company), at Union Theatre – theatre review 12 months ago First love erupts into a fight for Country in Whitefella Yella Tree. Teen indigenous Australians from different clans meet to… Blanc de Blanc Encore (Strut & Fret), at Spiegel Haus Melbourne – cabaret review (warning: contains some coarse content) 12 months ago It is Melbourne’s newest entertainment precinct (off Lonsdale Street), with a sizzling hot new show, involving seven spirited performers. I… Bladderwrack (Theatre Works’ Explosives Factory) – theatre review 12 months ago Poppycock and balderdash. That sums up the theatre of the absurd production that is Bladderwrack at Theatre Works’ Explosives Factory.… Monopoly Yarra Valley edition 12 months ago Monopoly now has its own localised version for one of the most picturesque parts of Australia, Victoria’s stunning Yarra Valley.… Where is Joy?, at fortyfivedownstairs – theatre review 12 months ago Artist Joy Hester (21st August, 1920 – 4th December, 1960) didn’t run with the pack. Despite being diagnosed with Hodgkin’s… The Barber of Seville (Opera Australia), at Regent Theatre – opera review 12 months ago I can’t speak highly enough of the comic might of Gioachino Rossini’s The Barber of Seville (with libretto by Cesare… Next» « Previous