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Circe’s Carnival of Vice (fortyfivedownstairs) – theatre review

Gender bending and a hallucinatory trip are the focus of Bloomsday in Melbourne’s playful, highly original work, Circe’s Carnival of…

The Chronicles (Arts Centre Melbourne) – dance review

There is a reason that Stephanie Lake is my favourite choreographer. In short, she is eternally creative in the work…

The Wrong Gods (MTC and Belvoir Street Theatre) – theatre review

What is the price to be paid for progress? That is the conceit at the centre of the compelling drama…

Prison Island Melbourne (The District Docklands shopping centre) – activity review

Do you enjoy being challenged mentally and physically? Do you like playing games and solving puzzles? Are you fit, clear…

Fat Pig (fortyfivedownstairs) – opera review

The conceit behind the Australian premiere of the darkly comedic chamber opera Fat Pig feels all too real. What is…

Swingers: The Art of Mini Golf (above Flinders Street Station, in Melbourne) – art review

Have you ever thought about playing mini golf with a tail? No, I am not off with the pixies. Swingers:…

POV (Arts Centre Melbourne) – theatre review

POV (Point of View), is an extraordinary undertaking, unlike anything I have seen before. A 14-year-old – played by alternates…

Kill Me (Southbank Theatre) – theatre review

Naked women, guns, pop and classical music, dancers, roller skating, shadow boxing, athleticism, a shrine and Russian ballet dancer Vaslav…

BLKDOG (Arts Centre Melbourne) – dance review

Life’s struggle from childhood is captured in captivating form in Botis Seva’s Olivier Award-winning dance theatre production BLKDOG. Extraordinarily fluid…

Samson & Delilah (Melbourne Opera) – opera review

A portent of doom hangs over Melbourne Opera’s production of Samson & Delilah. It is largely dark and foreboding (lighting…