Fever Dreams Pt. 1 – 4 (Johnny Marr) – music review 3 years ago While it’s only natural to look for echoes of The Smiths in Johnny Marr’s solo work, he was only with… Nothing (fortyfivedownstairs) – theatre review 3 years ago Pierre Anthon is a massive thorn in the backside of his classmates in year 9. Just one utterance changed their perspective… The Heretic (Liam McIlvanney) – book review 3 years ago Liam McIlvanney’s first Duncan McCormack book The Quaker won the 2018 Scottish Crime Book of the Year. In The Heretic… Miss Marx – movie review 3 years ago Early on in Susanna Nicchiarelli’s Miss Marx, the writer-director makes it clear she considers her subject to be a kind… New music round-up (for w/e 4 March 2022) 3 years ago Our selection of the best new music across a range of genres from the week ending 4 March 2022. GRAMMY-nominated… Phantasmagoria (Theatre Works) – theatre review 3 years ago One of the most creative and mind challenging works I have seen, Phantasmagoria revisits the past in order for the… FTHC (Frank Turner) – music review 3 years ago Frank Turner has always been a punk rocker at heart, even his “folk” albums are roiling with punk attitude and… Stay Woke (Malthouse Theatre) – theatre review 3 years ago Political correctness and sibling rivalry get a decent working over in Stay Woke, the brainchild of Aran Thangaratnam. Sai (Kaivu Suvarna)… The Batman – movie review 3 years ago In Matt Reeves’ dark vision, The Batman, Gotham City is a cesspool of evil and corruption. For two years Bruce… Seven Methods of Killing Kylie Jenner (La Boite) – theatre review 3 years ago Award-winning British playwright Jasmine Lee-Jones’ provocatively-titled Seven Methods of Killing Kylie Jenner appropriately begins in iPhone lighting. Newly-single student Cleo… Next» « Previous