Loveland (Robert Lukins) – book review 3 years ago Robert Lukins’ Loveland, follow up to his debut The Everlasting Sunday, is an inter-generational family drama that takes readers from… New music round-up (for w/e 25 March 2022) 3 years ago Our selection of the best new music across a range of genres from the week ending 25 March 2022. African… Heroes of the Fourth Turning (Red Stitch Theatre) – theatre review 3 years ago Catholic guilt and US conservative politics are given a whack in the Australian premiere of Will Arbery’s Heroes of the… Hamilton (Her Majesty’s Theatre) – theatre review 3 years ago Dramatic, emotional, evocative. Electrifying. Triumphant. That is Hamilton, as good a musical as has appeared on stage. That’s right. Nothing yet seen… Things Are Great (Band of Horses) – music review 3 years ago We all know “Things Are Great” is what you say, when you don’t want to tell people that you’re really… Happy End (Arts Centre Melbourne) – theatre review 3 years ago Slapstick humour characterises a little staged and decidedly different style of saints and sinners musical. Victorian Opera’s Happy End is set… CLOSED: Win tickets to Nobody Has to Know 3 years ago - Nobody Has to Know - Only in cinemas from 7 April 2022 We have 5 double in-season passes thanks… When We Fall (Aoife Clifford) – book review 3 years ago Although there’s plenty of it, there’s not yet a separate term for Australian rural noir set on the coast. Like… Fresh – movie review 3 years ago A film to put you off eating meat forever, Fresh on Disney+ is a twisted tale of depravity with some… Nearer the Gods (Ensemble Theatre) – theatre review 3 years ago It’s always a treat to see a David Williamson play. But with Nearer the Gods, set in England in 1684,… Next» « Previous