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You Really Don’t Know Me (Tim Easton) – music review

For over twenty years, Tim Easton has been successfully combining elements of indie rock, folk and a little bit a…

This is a Robbery (Netflix) – streaming review

Despite perceptions to the contrary, art and crime are never far apart. Dark deeds plagued Renaissance painters like Caravaggio and…

A Voice in the Night (Sarah Hawthorn) – book review

The attack on the World Trade Center on 11 September 2001 is the jumping off point for A Voice in…

CLOSED: Win tickets to Ainbo: Amazon Princess

- Ainbo: Amazon Princess - Only in cinemas from 16 September 2021 We have 5 family (4 persons) in-season passes…

Romeo and Juliet (QSE) – theatre review

It’s taken the Queensland Shakespeare Ensemble until its 20th birthday year to finally mount a full production of arguably Shakespeare’s…

New music round-up (for w/e 27 August 2021)

Our selection of the best new music across a range of genres from the week ending 27 August 2021. “Everything…

CLOSED: Win tickets to Die in a Gunfight

- Die in a Gunfight - Only in cinemas from 16 September 2021 We have 5 double in-season passes thanks…

Fatigue (L’Rain) – music review

Sometimes records exist outside any conventional genres and challenge your ear around every corner. These albums also can produce some…

Candyman – movie review

If you combine Captain Hook with a swarm of bees you have an idea of the antagonists in the horror-thriller…

The Waiter (Ajay Chowdhury) – book review

In 2019, Ajay Chowdhury won the inaugural Harvill Secker/Bloody Scotland award aimed at discovering new crime writers from underrepresented communities.…