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Freewave Lucifer (of Montreal) – music review

If the Polyvinyl bio is to be trusted, Kevin Barnes shaped of Montreal’s January 2020 release UR FUN with the…

More than a Game: The Unauthorised Footy Show Musical (Chapel Off Chapel) – theatre review

In 2016, the footy world was stunned when good mates Billy Brownless and Garry Lyon became involved in scandal. It was…

Samuel Gay (A Guide to Dating at the End of the World) – the interview

The debut feature for Brisbane-based filmmaker Samuel Gay, A Guide to Dating at the End of the World is in…

Ordinary Monsters (J.M. Miro) – book review

Canadian author J.M. Miro’s Ordinary Monsters, a gaslamp fantasy with powered children at a secret school, an implacable enemy and…

Girl at the Window – movie review

Mark Hartley is a filmmaker whose specialty is the rather niche world of Ozploitation. His latest film, Girl at the…

New music round-up (for w/e 19 August 2022)

Our selection of the best new music across a range of genres from the week ending 19 August 2022. Sometimes…

Laurinda (MTC) – theatre review

Bullying and racism are not acceptable in any environment and yet the schoolyard can be a hotbed of discontent. So it…

Chimerica (New Theatre) – theatre review

America is obsessed with mythical superheroes. However, no one can eclipse China’s real-world superhero: Tank Man. He is the lone…

Rodgers + Hammerstein’s Cinderella (QPAC) – theatre review

Opera Australia’s production of Rodgers + Hammerstein’s Cinderella is glorious from the get go. Though there is no real standout number,…

Win tickets to The Railway Children Return

- The Railway Children Return - Only in cinemas from 15 September 2022 We have 5 double in-season passes thanks…