A Quiet Teacher (Adam Oyebanji) – book review 2 years ago There are some writers who never do the same thing twice. Two books is probably not enough to say there… New music round-up (for w/e 25 November 2022) 2 years ago Our selection of the best new music across a range of genres from the week ending 25 November 2022. Acclaimed… Monsters (Malthouse Theatre) – theatre review 2 years ago As children, what do we fear the most? That the boogie man will get us. It is from that dark place… First Casualty (Queensland Theatre) – theatre review 2 years ago The stakes are high from the outset of Queensland Theatre’s blockbuster season closer First Casualty. This is not just because… Strange World – movie review 2 years ago The artistic merger of Pixar and Disney is just about complete. While the business merger was done long ago, both… Bones and All – movie review 2 years ago Luca Guadagnino is a singular filmmaker. After three intimate dramas in I am Love (2009), A Bigger Splash (2015) and… And in the Darkness, Hearts Aglow (Weyes Blood) – music review 2 years ago Singer/songwriter Natalie Mering performs under the moniker Weyes Blood, a name derived from her original stage name Wise Blood, taken… The Mentor (Theatre Works) – theatre review 2 years ago Vulnerability and how to make it as an actor. That is what The Mentor is all about. Amanda Redfern (Amanda Muggleton)… The Menu – movie review 2 years ago American cinema isn’t really noted for its absurdist films. They tends to linger around the edges of an industry dominated… The Passenger (Cormac McCarthy) – book review 2 years ago After a break of 16 years (since 2006’s Pulitzer Prize winning The Road), award winning author Cormac McCarthy returns with… Next» « Previous