Disney’s Aladdin is simply a mind-blowing visual experience that had the audience in ecstasies that resembled an old time US revival meeting as they screamed, cheered, and gasped in adoration. With American accents it was Disney all the way with feel, audience pitch, values and quality.
For me, after an adult life time involved in the entertainment industry I thought I had seen everything, but then I attended the opening night. There in QPAC’s Lyric Theatre, I saw things I have never seen before.
The characters are given no room to move with the script. But it doesn’t matter, with the glitz, glamour and amazing visual effects, the show is a solid gold hit. The visuals remain in the brain for a long time afterwards, from the silhouetted towns to the incredible interior of the cave and the magic of the flying carpet.
It is set for a long run in Brisbane.
Gareth Jacobs as the genie came out best of the characters, with his high camp delivery and comic timing. Early on Aladdin and his cohorts tended to talk too fast and a lot of dialogue was lost and it took quite while for them to settle down.
This was for “Friends Like Me” with the Genie, Aladdin and the so-talented and glamorous ensemble. The number was a sure fire show-stopper, it just rocked with energy, terrific choreography, and amazing dancing. It was no wonder the audience leapt to its feet at the end.
The emotions stayed right until the end when once again the audience stood and raised the roof with wild applause. It was a big night out.
Eric Scott
For more of Eric Scott’s writings on theatre, check out Absolute Theatre
Other reviews you might enjoy:
- Aladdin (Her Majesty’s) – musical theatre review
- Beauty and The Beast The Musical (Disney Theatrical Group) – theatre review
- Frozen (QPAC) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television