Heavy Moss formed in Geelong in late 2022 when Lucas Harwood and Sam Ingles reconnected after moving back to their hometown. The two had previously played together in Atolls, a band known for its gritty, retro-inspired sound. Seeking a fresh direction, they brought in Kyle Tickell and Bec Goring to complete the lineup. With Harwood’s roots as the bassist in King Gizzard and Tickell’s background in dreampop, the quartet developed a sound reflecting their varied influences. Early recording sessions at Gizzard HQ solidified their chemistry, resulting in this debut LP – Dead Slow.
The album is a deeper dive into psychedelia, exploring contrasting moods and textures that capture the interplay between frenetic energy and serene beauty. Across eight tracks and 44 minutes, the album builds a narrative that moves seamlessly between moments of introspection, rock undertones and expansive music landscapes. Through a collaborative approach to songwriting, the band weaves themes of memory, connection, and change, underscoring the duality present in their music.
The group’s sound blends shimmering melodies with an earthy, rhythmic backbone. Their music balances intricate instrumental work with spacious, atmospheric arrangements, creating a sense of fluidity. Each track offers a distinct emotional tone, contributing to an overall chill and warm, swaying vibe on Dead Slow.
Heavy Moss began by revisiting Harwood’s back catalogue of unused ideas, but their sound quickly evolved into a synthesis of the members’ artistic identities. Early tracks leaned on Harwood’s experimental approach, while Tickell’s contributions brought a more structured, melodic sensibility. Dead Slow highlights the members’ individual experiences while showcasing a shared vision that works cohesively.
You might hear echoes of King Krule’s brooding tones, the dreamlike qualities of Galaxie 500, and the meditative energy of Spacemen 3. The band’s more energetic moments nod to the playful spirit of Grandaddy, while showing some roots in rock combined with their sprawling vocals suggest a connection to My Morning Jacket or Strand of Oaks.
“Star,” sets the bar and exemplifies Heavy Moss’ sound with its restrained opening, carried by keys and reverb-soaked guitar. As the song progresses, it builds, revealing the band’s knack for creating immersive experiences. “Treadmills” contrasts angular verses with a soaring, emotive chorus, delivering a King Gizzard-inspired psych vibe. “Blutac” ebbs and flows between floating vocals and a muscular rock groove, showcasing a different side of Heavy Moss. These three tracks highlight the group’s dual songwriting strengths and dynamic range.
The lyrics on Dead Slow capture fleeting thoughts and vivid imagery, reflecting both personal and universal themes. Harwood’s verses feature sharp, observational lines that convey immediacy, while Tickell’s contributions lean into poetic introspection. Together, their words balance intimacy and abstraction, inviting listeners to interpret the songs in their own way.
Thomas Wilde
For more of Thomas Wilde’s music reviews, check out The Fire Note
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