Life is about choices right? Well, not really, according to British playwright Nick Payne’s Constellations, which is based on the scientific notion that we might be living in one of many universes which are co-existing simultaneously. It’s something to do with String Theory or Doctor Who philosophy 101 about alternative universes that exist separated only by a millisecond of time and a nanometre of space, without ever having contact.
Every moment that Roland (Lucas Stibbard) and Marianne (Jessica Tovey) share is at the mercy of the universe, meaning that there are infinite possibilities of their two lives shared in consideration of everything they have ever or never done. When they first meet at a barbecue, he says he is in a relationship and she is just making conversation. The odds of them getting together are astronomical; he is a beekeeper and she is a physicist working in the field of quantum cosmology. But when their worlds keep colliding, all the possibilities of their life together are shared, from first date to final farewell, through conversations of both varying physical proximity and intimacy.
It is an up and down relationship reflected also in the undulating stage of celestial blue pin-pricked by light apart from during the complete blackout between some scenes switches. Ben Hughes’ lighting design serves not only to complement Anthony Spinaze’s set design but fulfils a significant narrative purpose as sections of the stage are lit to border character interactions as hint of the underlying issue that will take things in a totally different direction to initial anticipation.
This is a play about language and initially, especially, deliberate attention is needed before the narrative’s direction makes its latter half more absorbing. This is especially so because of its organisation of often short and sharp scenes that are immediately repeated, sometimes with only slightly different emphases, sometimes with wholly different resolutions. Once settled into its unique structure, however, it is easy to appreciate the cast’s nuanced performances and Kat Henry’s subtle directorial choices that combine in its success.
Stibbard and Tovey are both excellent and their repetition of scenes with just the slightest of transformed touch, a testament to the craft of both. And their chemistry is ample. As the neurotic academic Marianne, Tovey carefully balances vulnerability with awkward bluntness in blurt of whatever is on her mind. Stibbard’s Roland, however, is vulnerable in a more traditional sense, lovable in his sometimes self-doubt, eyes alight with enthusiasm in speak of beekeeping and devastated in his yearn for things to be different.
Constellations is an intelligent and powerful piece of theatre that is both a beautiful love story and an emotional delve into the mysteries that remain in our understanding of the multiverse, perfectly timed at 80 minutes without interval and perfectly prepared for without prior knowledge of its narrative journey. Although it is a slow burn at first, its humanity will sneak up on you and leave you with much to contemplate about the complexity of life, the universe and everything.
Company: Queensland Theatre
Venue: Bille Brown Studio, Queensland Theatre, South Brisbane
Dates: 9 March – 9 April 2017
For more of Meredith Walker’s theatre reviews, check out Blue Curtains Brisbane.