Movie Review

 

The Black Balloon

Director: Elissa Down
Cast:
Rhys Wakefield, Luke Ford, Gemma Ward, Erik Thomson and Toni Collette
Releasing:
6 Mar 2008
Rated
M

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Worthy of attention

Now here’s a local film that packs a real emotional wallop. In the footsteps of Dustin Hoffman’s Rainman, The Black Balloon is a sympathetic if more confronting view of autism. This film is much closer to home set in recognizable Sydney outer suburbia complete with brick veneers, cranky neighbours, and Hills hoists. In fact DOP Denson Baker has selected long lenses to flatten the perspectives and give an even more dispiriting picture of the ‘burbs.

Co-writer and director Elissa Down has come up with the goods in this study of the Mollison family, Simon (Erik Thomson) is an army man trying to keep the peace in a wacky household in which Charlie (Luke Ford) is autistic and often more than a handful. They’ve recently arrived in Sydney after a stint in the Northern Territory. We have heavily pregnant mum Maggie (Toni Collette) about to give birth, and the other son sixteen year old Thomas (Rhys Wakefield) trying to care for his brother when mum has to rest, while at the same time fit into a new school.

Thomas is getting weary of his brother’s tantrums. He’s attracted to lovely Jackie (Gemma Ward) despite a couple of very embarrassing incidents with her and Charlie. While courting Thomas has not only to content with Charlie misbehaving badly, but also harassment by his thoughtlessly cruel class mates when they discover his brother is different. With all the frustrations of his life piling up, Thomas finally gives way to a pent up resentment of his brother. We feel for this offbeat family in crisis, where finally acceptance and love saves the day.

The film brings home dramatically the problems of raising an autistic child, and community attitudes to the mentally challenged. The director pulls no punches with scenes like the devastating birthday party, the confrontation at the school gate, and the vicious family fight. A great credit to young Luke Ford (Kokoda) who manages a difficult balancing act between being lovable or a nightmare. Rhys Wakefield (Home and Away - TV) also gives a strong performance as he tries to help Charlie at every turn but silently wishes his brother were normal. Toni Collette (Little Miss Sunshine) excels here as the sympathetic mother bringing unique compassion to the part, ex model Gemma Ward (Pink Pyjamas) is convincing as the bewildered but finally supportive Jackie looking stunning in her close ups. Erik Thompson (We’re Here To Help) is solid in his role at the soldier father.

First time director Elissa Down makes an impressive debut, having experience with autistic children she conjures up an extremely realistic film. The picture was awarded the Crystal Bear for Best Feature within the Generation 14 program at the 58th Berlin Film Festival. Though there are disturbing moments, they’re offset by heartwarming often amusing sequences, and the genuineness of the acting. It’s watching real people in real situations not always achieved in Aussie films. Much can be attributed to the excellent script that is a basis for the natural performances with the director’s firm hand and dramatic sense bringing it to fruition.

Despite subject matter which may have limited appeal, one can only hope that many cinema goers will take the opportunity to see this little gem. It may well be one of the best Australian films this year.

John Bale

 

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