Art preview

Australian Surrealism: the Agapitos/Wilson collection

Venue: National Gallery of Australia, Canberra
Dates:
16 Feb - 11 May 2008
Cost:
Free

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All you could dream of

James Gleeson: The attitude of lightning towards a lady-mountain (1939)

In general, surrealism is a popular (if rather neglected in current practice) genre. Blockbuster exhibitions featuring the genre and its close cousin Dadaism have toured the country in the past few years to great acclaim. Just about everyone recognises names like Salvador Dali, Man Ray and Max Ernst. It’s perhaps less recognised that surrealism flourished in Australia for nearly 30 years.

This month, the National Gallery of Australia will unveil its exhibition Australian Surrealism: the Agapitos/Wilson collection to showcase work from that era. The show consists of over 170 works from the NGA’s recent 25th Anniversary acquisition, the Agapitos/Wilson collection.

The collection covers the period from 1925 to 1955, and includes paintings, prints, collages, drawings, photographs and sculptures by the leading artists associated with surrealism in Australia, including James Gleeson, Sidney Nolan, Arthur Boyd, Albert Tucker, Robert Klippel, Joy Hester, James Cant, Peter Purves Smith, and Dusan Marek, as well as lesser known artists who produced some of their best works under its influence.

Surrealism, the great revolutionary art movement, began in France in the 1920s. As was perhaps typical of the times, it took a while to reach Australia in earnest; but it changed the course of Australian art in the 1940s. A generation of Australian artists encountered surrealism at a formative time in their careers, and its influence transformed their art forever.

The exhibition features key works of Australian surrealism, including James Gleeson’s 'The attitude of lightning towards a lady – mountain', Max Dupain’s erotically charged photographs, and Robert Klippel’s Paris drawings of menacing hybrids of plant and machine.

“The National Gallery of Australia now has the strongest collection of International Surrealist art in the country,” said Ron Radford, Director of the National Gallery of Australia. “With the Agapitos/Wilson collection the Gallery has a world standard resource of Surrealist art.”

This exhibition promises to provide a fascinating insight into an extraordinary fertile period of Australian art, where dreams and the subconscious transformed our views of the world.

For more information (including a detailed essay on the exhibition and surrealism in general) go to nga.gov.au/AustralianSurrealism.

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